British Rock Calendar 1974 - JUNE

June was a pretty good month. 
We saw Savoy Brown, Manfred Mann's 
Earth Band and Kiss on the same bill.
12 days later we saw Ten Years After, 
King Crimson and Strawbs at the 
Cow Palace. Slade cancelled.
Savoy Brown were going as "The 
Boogie Bros." and had Miller Anderson and 
Stan Webb backing Kim Simmonds. 
A real super group! This was the 2nd
time we saw Manfred Mann. Kiss were 
new to me and 3rd on the bill. The house 
rocked that night. The Cow Palace shows 
were some of my favorite bands, but 
we had to sit too far back to get a  
good look at the groups. 



ALAN PRICE

My friends and I saw Alan Price
perform in 1974 at the Great American 
Music Hall in San Francisco. He had a small
orchestra on the tiny stage and played
songs from the movie, "O Lucky Man", plus
other hits, including "The House of the Rising Sun".
We met him after the show and got his 
autograph. I also got Colin Green's
autograph. He was the guitarist.
You can see my photos and read
our memoirs of that concert - 

This is a nice overview of
Alan Price's career. It is from the book,
 "Then, Now and Rare - British Beat"
Copyright by Omnibus Press 2002.
An early compilation album
of songs from "The Alan Price Set"
and solo work.
A nice review from 6/25/70.
A review of the music he did for the 
movie. "O Lucky Man", 8/2/73
The film and soundtrack 
were a success. This is 
an article from CIRCUS 
magazine 10/73
The next release was, "Between
Today and Yesterday" My personal 
favorite and fine companion to
"O Lucky Man". This article is 
from 6/6/74
He makes the cover of
Melody Maker on 6/22/74 and announces 
plans for a stage musical based
on the album, "Between Today and 
Yesterday". I don't believe
that ever happened.
The first album by  
THE ANIMALS
A picture sleeve 45 from
my collection. 
Two early publicity photos.
The photographer is unknown.
Published in "The End of Innocence"
Copyright Scalo Publications 1997.
The ANIMALS were part of
the 60s British Invasion, started by
Beatlemania. They were promoted 
in magazines and tabloids that 
were marketed to teen-age girls.
The concerts were often disrupted
by screaming fans who 
would storm the stage.
The constant touring and pressure led  
 to Alan Price leaving the band 
in 1965 and forming his own 
band, The Alan Price Set.
Neither band ever achieved
the same excitement or success
but still recorded fine music.
A big hit for The Alan Price Set
was a cover version of 
"I Put a Spell on You" by
Screamin' Jay Hawkins
Sceamin' Jay Hawkins 
put on a wild performance and 
was called "Screamin" for good reason.
He would start his show by 
climbing out of a coffin.
Alan teamed up with Georgie Fame
for a while and recorded an album.
Alan Price found his niche
in the music of Randy Newman.
He recorded many of his songs
and had major success with "Simon
Smith and the Amazing Dancing Bear".
This song led Lindsey Anderson 
to ask Alan Price to do the
soundtrack for his movie, 
"O Lucky Man".
This is an early American release 
of his music with a review by
Chris Welch on the back.
"Savaloy Dip" was
an unreleased album. It was 
released on 8 track tape and then 
pulled. It was recorded shortly 
before "O Lucky Man"
Alan Price also appears in the film.
"Metropolitan Man" followed
"Beteween Today and Yesterday".
A later album, 1976, with
great graphics by 
Gerald Scarfe. He also 
did the inside cover art
for Pink Floyd's, "The Wall".
Chas Chandler, The bassist for
The Animals, went on to manage and 
produce both Jimi Hendrix,
and years later, Slade.
He died 7/17/96
Eric Burdon, singer for 
THE ANIMALS, formed
the band, WAR. He also
recorded and toured
with his self-named
THE ERIC BURDON BAND.
Eric Burdon wrote his autobiography
in 1986. He gives his personal account of the 
history of The Animals and leaves it up to others 
to debate its accuracy.
It is published by Faber & Faber.
Copyright Eric Burdon.
The original ANIMALS
reunited in 1977 and 
recorded an album. 
They reunited once more
in 1983 to record ARK.
 








British Rock Calendar 1974 - MAY







MAY was a slow month as far as concert going. The Kinks cancelled. We did see Robin Trower. This was the second time we saw him. This concert opened with Golden Earring. Their big hit at the time was "Radar Love".  The top act was Sha-Na-Na. We left before they came on stage. We waited outside Winterland and met Robin Trower and James Dewar. They gave us their autographs and were very nice folks in person.
James Dewar's accent was so heavy,
we coudn't understand a word he said.
View past British Rock Calendar months

MOTT THE HOOPLE

My friends and I saw Mott the Hoople twice
at Winterland, SF. Once in 1973, and again in 1974. We met 
the band after one show and got their autographs. The feathers 
above Blue Weaver's autograph were scooped
off the stage by me. I think they were from
Overend Watts' costume. The band was very polite
and accessible. Ariel Bender asked the small crowd of 
fans if anyone had a fag! I think he meant a cigarette. 
Ian Hunter wore his shades even on the dark sidewalks 
of San Francisco late at night. I tried to look through them 
and see into his eyes, but only saw my own refelction. 
You can see our photos and read our 
memoirs of those concerts at - 

I grabbed Buffin's broken 
drum stick off the stage.
The book by 
Willard Manus that 
was the source for 
their name. It was
published in 1966.

Mott's first albums received
mixed reviews. Mostly unfavorable.
The albums did not
sell well, either. 



Mott shot to top of the charts
with the help of David Bowie.
The accounts of that event are
talked about in different interviews
and with different details. 


This article came out a month
before we saw them the first time 
and about the time Mick Ralphs
left the band.

This article from CIRCUS Magazine 
came out on 10/73, one month 
after we saw them. Mick Ralphs and Verden 
Allen had both left the band. 

This show was one day before 
we saw them at Winterland. 
Aerosmith played that show, too.


I wish I had seen this one!

Creative differences lead to
both Verden Allen and Mick Ralphs'
departure. Luther Grosvenor, (Ariel Bender),
replaced Ralphs. Blue Weaver from the
Strawbs and Amen Corner, replaced
Verden Allen. Ralphs had much success
with Bad Company. Allen's
career was not so successful.
Blue Weaver was soon replaced
by Morgan Fisher. The band
never achieved the same
level of success.
Like most things in life,
they reach a peak and decline. 
Sometimes slowly, other times rather 
fast. Mott's rise to the heights and descent
happened in 3 or 4 years. 
Their imprint has lasted decades. 

There were hopes of the band
reforming with new blood in the
form of Mick Ronson, ex Bowie
guitarist and Spider from Mars!
That did not happen and both
Hunter and Ronson pursued
solo careers.
Melody Maker 9/28/74
Mott's first album and inside cover art. 
M. C. Escher posters became 
popular with the baby boomer
generation in the 60s. 

Mott's Second album, "Mad Shadows"
Their third album, although good, 
had poor sales. Mick Ralphs wrote 
more songs on this than Ian Hunter. 
"Brain Capers" was recorded in only 
five days and the sound was "muddy"
according to Mick Ralphs. 
Still a good album. 
Mott's breakthrough album. Mick Ralphs
wrote "Ready for Love" for this. He took it
with him and recorded it with Bad Company, too. 
A great song. 
MOTT was a major success
for the band.


This is my copy of Bad Company's 
first single, which was a 
big hit for them.

Their first album without 
Mick Ralphs. Most of the songs
were by Ian Hunter. 

The live album back cover
shows the marionettes
that hung on stage. They referred to
a song by Ian Hunter where he
sings, "Marionette, I
ain't one yet!" Always
the independent.

Mott changed labels a few times.

Ariel Bender was really
Luther Grosvenor from Spooky Tooth
and Steeler's Wheel. That is him on 
the far right.

His first solo album.

After Mott, he formed a new
band, Widowmaker.

Blue Weaver had recently 
left the Strawbs. That group had 
become unraveled due to 
creative differences. 
He started out in a group
called Amen Corner.
That is him on the upper left. 

Mick Ronson decided not to 
join Mott and instead recorded
his first solo album. 
He died in 1993.


Mott the Hoople disbanded, but 
continued on with Buffin, Overend 
Watts and Morgan Fisher as 
British Lions. They recorded two albums. 

Ian Hunter's first solo album
was a beautiful package going
back to M.C. Escher-inspired graphics
for the cover. He finally gives
us a glimpse of his eyes.
All songs were written by Hunter, except
for one,"Boy", which was co-written
by Mick Ronson. Ronson played
on the album, too.


A man of music and words, Ian hunter
penned a book about his life on 
the road as a rock star. 
Hunter was always very outspoken 
and told it as he saw it. I am reminded
of the song sung by Bob Hope, "Thanks for the 
Memories"and the line, "You may have been
 a headache, but you never were a bore."