British Rock Calendar - November 1974

November 1974 was by far the busiest month for concerts 
I ever had. It was a real marathon of events. On the 5th we
saw Renaissance at the Berkeley Zellerbach Theater. Chick
Corea topped the bill, but left before he performed. Just 3 days
later we saw George Harrison for two shows at the Oakland
Coliseum. Billy Preston opened the show with Ravi Shankar
 second. The very next day we saw Caravan for two shows at
 The Berkeley Keystone Theatre. The opening band 
was the local group, Earthquake.  We were able to even go 
back stage and meet Caravan after the show. The very next 
day we saw Fairport Convention with Sandy Denny at the 
Berkeley Community Theatre. The Ozark Mountain 
Daredevils opened. We met Sandy Denny back stage 
after the show. Just 3 days later we saw Deep Purple, ELO
and Elf at the Oakland Coliseum. In that month we saw 
acts at every venue in the Bay Area. 
To see past pages of British Rock Calendar -

HUMBLE PIE

Humble Pie was a 60s band that hit
their peak in the early 70s with the albums
"Rock On" and "Smokin'". Their live 
album, "Performance Rockin' The 
Fillmore", established them as a 
great live band. Led by Steve Marriott, 
from The Small Faces, Humble Pie included
Peter Frampton, from The Herd. He left in 1971
 to pursue a solo career and was replaced 
by Clem Clempson, from Colosseum. 
Touring the US extensively, they built a 
strong following. Steve Marriott's powerful 
vocals were a perfect match with the 
driving beat from drummer, Jerry Shirley 
and bassist, Greg Ridley who had been 
 with Spooky Tooth. Clem Clempson
helped to add a funkier, soulful sound.
My friends and I saw Humble Pie perform 
in the SF Bay area a few times. To
see our photos and read our memoirs of 
the concerts, go to - Brit Rock By The Bay
A page from my scrapbook shows two 
photos and Clem Clempson's autograph.
This is an early press release. Usually
given out to radio DJs along with the
album that was being promoted. 
A detailed history from the book,
"Rock Family Trees", by Pete Frame.
Published by Omnibus Press 1983.
An article about the break up
of The Small Faces. 
An excerpt from "Call 
Up The Groups - The Golden 
Age of British Beat 1962-67"
by Alan Clayson. Published
by Blandford Press 1985.
"Rock On" was the last 
album Peter Frampton was 
on. It had a heavier, more bluesy
sound, which was not the direction
Frampton wanted to go. 
An article from Circus Magazine
about Clem Clempson joining.
Steve Marriott is interviewed 
about the new album, "Smokin". 
and Frampton's replacement, 
Clem Clempson. 
 A poor review, but most of their 
albums received unflattering reviews. 
"EAT IT" included female back up
singers The Blackberries.
An interview with Steve Marriott from 
September 1973. He discusses his time with 
The Small Faces, Peter Frampton
and the future of Humble Pie.
A rare interview with 
Clem Clempson.
An ad from October 20, 1973
A review of a live show in 
LA from December 20, 1973.
Some of the albums that
make up the Humble Pie story.
"As Safe As Yesterday Is"
was their first album. It was 
not released in the US. 
The British cover of
"Town and Country". 
"Rock On" is considered their best 
album by many. Peter Frampton was 
moving away from the heavier sound
that Steve Marriott wanted. These two 
 clips demonstrate this. 
Inside gatefold. 
Back cover. 
"Smokin'" had one of the band's
most popular songs -
Check out Jerry and Greg
passing a doobie.
Dave "Clem" Clempson was 
with the band Colosseum.
Greg Ridley was originally with a 
group called The V.I.Ps.
They released one album under the name
Art before becoming Spooky Tooth.
The article below is from the book 
"Then, Now and Rare, British Beat"
by Terry Rawlings. 
Published by Omnibus Press 2002.
Greg is on the right with green pants.
Greg Ridley died in 2003.
Steve Marriott died in a fire
at his home in 1991. 
To see more about Peter Frampton
and The Small Faces go to 
earlier pages of David's Rock Scrapbook 

British Rock Calendar - October 1974

Less than a week after seeing Rick Wakeman's
"Journey to the Center of the Earth" concert at 
San Francisco's Civic Center, we were back to Winterland.
Traffic and Lindisfarne played. This was the second time 
I had seen Traffic at Winterland. A week later 
we saw Elton John for the second time, too. 
Kiki Dee was the opening act. They played at the 
Oakland Colosseum. Traffic were terrific and performed 
as a four-piece with Jim Capaldi on drums. 
We all felt that Elton John was not as good as he was
 the first time we saw him a year earlier. He had peaked
with "Good-Bye Yellow Brick Road" and never 
achieved the same quality.
We planned to see Brian Auger and Donovan
that month, but both cancelled. 
To see past months of British Rock Calendar go to -

SAVOY BROWN / BOOGIE BROTHERS

Savoy Brown began in the British
Blues movement of the 60s. Blues
musicians moved from band to band
and so the history is complicated. 
Kim Simmonds was the lead guitarist
for Savoy Brown from the start, but
in 1974 he was joined by Stan Webb, 
from Chicken Shack and Miller
Anderson, from The Keef Hartley
Band. They called themselves
"The Boogie Brothers". They released
one album and went on tour in the US. 
I saw Savoy Brown twice. The first time 
in 1972. The opening band for them 
was Hemlock, led by Miller Anderson.
My friends and I saw "The Boogie Brothers"
in San Francisco at Bill Graham's 
Winterland in June 1974.
To see my photos of that concert and 
read our memoirs, go to -
Below are autographs and my photos
from the 1974 show. The ticket stub
is from the 1972 show.


Below is a page from the amazing 
book "Rock Family Trees" by Pete 
Frame. Copyright by
Omnibus Press 1993.
Reviews of Savoy Brown's 
early albums.

An interview with Miller
Anderson from Beat
Magazine, November 1971.
"Hellbound Train" was a
very popular album. The title
song had a driving beat and haunting
vocals by Dave Walker.
Hellbound train, (audio clip)
 A rare interview with 
Kim Simmonds.
Stan Webb's 
Chicken Shack album, 
"Unlucky Boy", released July 1973.
I was lucky to see
Hemlock and buy the 
album. They were a short
lived group. Bass player, James
Leverton and drummer, Eric Dillon, 
joined "The Boogie Brothers", too.
Their split was announced
seven days after the ad. 
A review of Chris Youlden's 
first solo album after leaving
Savoy Brown.
A review of Savoy 
Brown's album,
"Boogie Brothers".
Mike Vernon was a music producer
for many of the British blues groups,
including Savoy Brown. 
Below are liner notes from a double 
album titled, "History of British Blues."
Published on SIRE RECORDS,
© Mike Vernon, 1993. 
Savoy Brown's first album.
It was not released in the US.

The song, "Shake 'em on Down" was
on the first album, but was so long that
it took up both sides of the single.
It is considered a highlight on the album.
"Shake 'Em On Down", (audio clip)

The British release of their 2nd album, "Getting to the Point",
 showed Kim Simmonds, a white man, looking though
glasses with a black man's point of view.
It was censored in the US release,
as shown below.
The US version.
Their third album, "Blue Matter".

Their fourth album, "A Step Further". 

Their fifth album, "Raw Sienna".

David Anstey illustrated the next 3 albums
for Savoy Brown. He used strong graphics 
influenced by comic books.

The cover of "Looking In" is
influenced by the horror comics of the
50s popularized by EC Comics. It has a close
resemblance to the work of Jack Davis.

Lonesome Dave, pictured below, made five
albums with Savoy Brown then left to form
his own band, Foghat. His real name 
was David Peverett. He died in 2000.
The cover of "Street Corner Talking"
was influenced by Robert
 Crumb's early work.

Dave Walker, pictured below, left Savoy
Brown and joined Fleetwood Mac.
Dave Walker, a history
The cover and inside art of 
"Hellbound Train" lookes like it was 
influenced by the Underground Comix 
of  S. Clay Wilson and others. 







Stan Webb's group, Chicken Shack, 
included Christine Perfect, also known
 as Christine McVie, wife of 
Fleetwood Mac's, John McVie. 
I met Christine McVie at a Fleetwood
Mac concert and got her autograph. She was 
very polite, but visibly upset due to the 
fact her husband's drink had been 
spiked with an unknown substance and 
was possibly going to the hospital.



Miller Anderson has had a long career in the
British rock scene and has played in many groups.
He gained notoriety as the lead guitar and vocalist
with The Keef Hartley Band. He also wrote
 most of the music. A little known fact is 
that  they played at Woodstock.
 Below is his first solo
 album after leaving Keef Hartley. 
Gary Thain played bass. He later
 joined Uriah Heep. (See our earlier 
posting - Uriah Heep )

Hemlock toured the US with Savoy Brown 
in 1972.  The bass and drum players, James 
Leverton and Eric Dillion, both joined
Savoy Brown with Miller Anderson. 

Leverton and Dillion had previously been 
in Fat Mattress, a band created by 
Noel Redding when he left Jimi 
Hendrix's Experience. They 
recorded two albums.

The cover art is by Klaus Voorman, 
who also did the Beatles "Revolver" cover.

James Leverton had also been in
 a group called Juicy Lucy. The cover
of this album was a rip-off of Underground
Comix artist S. Clay Wilson's "The
Checkered Demon".
This is a symbol from the tambourine 
I picked up off the stage of the Berkeley 
Community Theatre in 1972.